The heart of it is that a Minnesota school district had a policy that led to teachers being so afraid of talking about homosexuality that they didn’t talk about it at all, even to do anything about homophobic bullying. The result? A staggering rash of suicides.

Sam’s death lit the fuse of a suicide epidemic that would take the lives of nine local students in under two years, a rate so high that child psychologist Dan Reidenberg, executive director of the Minnesota-based Suicide Awareness Voices of Education, declared the Anoka-Hennepin school district the site of a “suicide cluster,” adding that the crisis might hold an element of contagion; suicidal thoughts had become catchy, like a lethal virus. “Here you had a large number of suicides that are really closely connected, all within one school district, in a small amount of time,” explains Reidenberg. “Kids started to feel that the normal response to stress was to take your life.”

There was another common thread: Four of the nine dead were either gay or perceived as such by other kids, and were reportedly bullied. The tragedies come at a national moment when bullying is on everyone’s lips, and a devastating number of gay teens across the country are in the news for killing themselves. Suicide rates among gay and lesbian kids are frighteningly high, with attempt rates four times that of their straight counterparts; studies show that one-third of all gay youth have attempted suicide at some point (versus 13 percent of hetero kids), and that internalized homophobia contributes to suicide risk.

The article is full of really wrenching details about the horrible shit the kids in this district go through, all because there is a powerful bloc of people who hate anyone who doesn’t fit their idea of moral sexuality. These people, who hate so much in the name of Christ, whose message was almost entirely about compassion, are perpetuating evil.

They create a climate in which it is OK to belittle and assault people because of who they love, and they prevented the teachers from even being able to say, “Stop.”  That is evil.

They teach a hate that leads to violence against LGBT kids. That is evil.

They say that the gay kids didn’t kill themselves because of the bullying, they killed themselves because they were sinful gays, or that if they had never come out of the closet, they never would have been bullied, and then they wouldn’t have killed themselves. That is both evil AND insane.

Hate is evil. Period. It doesn’t matter who you hate, be it gays or Muslims or intolerant fundamentalists who teach hate. The world is too dark and painful to carry on this way. To borrow a line from Jacqueline Carey’s Kushiel’s Legacy series, “Love as thou wilt.”

Practice love. Pursue happiness. Don’t hurt other people. That’s it. Those are the only commandments you need.

From xkcd.

Pennsyltucky. Also known as Penslybama. The rural stretch of the state between Philly and Pittsburgh that has more in common with Kentucky (and Alabama) than it does with the cities that bookend it.

(Of course, let’s face it, Pittsburgh isn’t too great either. ‘They could really just call it East Cleveland. *ducks*)

But back to Pennsyltucky. My best friend and I would venture out into it in high school. It is a good place to buy knives and gunpowder. Not that we did. Nope. Just … looking. It really was a whole different world from grimy, liberal, crowded Philadelphia. Old barns, meth labs, gun shops, and old men hanging out outside the gas stations who looked like they’d been drying out for at least a generation. Driving through Pennsyltucky at night, it could be downright creepy. Long stretches with no lights at all. For someone who lived with a streetlight outside his bedroom window his whole pre-adult life, this is a little disconcerting.

It is in this place, which after spending five years living in Kentucky I can say really does share a lot of things with the Bluegrass State, that Chuck Wendig has set his crime novella, Shotgun Gravy. It’s a world of mobile-home drug dealers, neo-Nazi gun clubs, and casual racism.

It’s into this world that Chuck dumps Atlanta Burns, a high school student with a scary reputation for violence and a soft spot for people in trouble. She helps them even though she knows it’d go easier on her if she just walked away. Even if Chuck hadn’t mentioned it in the note at the end of the book, I couldn’t help being reminded of Burn Notice, but with a messed up teen heroine in backwoods Pennsylvania instead of a cool ex-spy in eye-candy Miami.

I love Burn Notice, and I loved Shotgun Gravy. I mean, the title alone is enough reason to pick up this book. As in his other books and stories, Chuck writes with a bag and a half of attitude and never lets up off the gas, and your brain is just chained to the bumper for the ride. I started reading it the other night, intending to get to bed early, but instead I found myself blinking at 2 a.m., book finished, wondering where the last couple hours went.

There’s a reason I wanted Chuck to write for the first issue of my magazine.

Shotgun Gravy is dark, but it needs to be dark to tell its story. And it’s dark with a hint, a smidge, of hope shining around the edges. Atlanta Burns has a lot of problems, but she is trying, and she is helping people who can’t stand up for themselves, and maybe helping them grow a little spine while they are at it. Bad people get what’s coming to them, but like in real life, putting people in their place, pissing them off, has blowback.

I’m not much for spoilers, so I’ll leave it at that. I’m excited for the next Atlanta Burns story.

You can buy the Shotgun Gravy ebook from Amazon here.

Back inNew York she finally met Ernst, at a party in 1942. Shortly thereafter he dropped by her studio seeking candidates for an exhibition of art by women of the Surrealist movement that he was organizing for Peggy Guggenheim’s new gallery, ‘‘Art of This Century.’’ Ms. Tanning’s not-quite-finished self-portrait with bare breasts, ‘‘Birthday,’’ happened to be on her easel. Ernst stayed for a game of chess, and within a week he had moved into her apartment.

Is “game of chess” a 1940s euphemism I am not familiar with?

I’ve decided to participate in the A Month of Letters Challenge, the brainchild of writer Mary Robinette Kowal. It’s apparently taken off, too, as The Guardian writes today.

So what is the Month of Letters Challenge? I’ll let Mary explain:

When was the last time you got a letter in the mail? December sees a lot of mail and you remember that sense of delight when the first card arrives. You can have that more often.

I have a simple challenge for you.

1. In the month of February, mail at least one item through the post every day it runs. Write a postcard, a letter, send a picture, or a cutting from a newspaper, or a fabric swatch.
2. Write back to everyone who writes to you. This can count as one of your mailed items.

All you are committing to is to mail 24 items. Why 24? There are four Sundays and one US holiday. In fact, you might send more than 24 items. You might develop a correspondence that extends beyond the month. You might enjoy going to the mail box again.

I’ve always liked writing letters, but it’s an easy thing to not do because of how easy it is to fire off an e-mail. Now, I’m not knocking e-mail. It’s an incredible tool, and for most things it is perfectly fine for the task. But there really is something nice about holding something in your hand that someone took the time to sit down, write out, stamp, and mail just for you.

It also gives me an excuse to bust out my fountain pen and the awesome Copper Burst ink color I have for it.

I have an assortment of stationery, but I ordered a new box of letter-writing paper and envelopes for this. It has a little gold butterfly at the top, which might seem a little weird for a guy, but I think it looks nice and really, who gives a flying crap?

I got the stationery on Monday and wrote my first letter today. It’s out in the mailbox waiting to be picked up.

What is Fireside?

• It is a multi-genre fiction and comics magazine.
• This Kickstarter is raising funds for the first issue, which will include four short stories  (by Tobias Buckell, Ken Liu, Chuck Wendig, and Christie Yant) ,  a comic (by D.J. Kirkbride and Adam P. Knave), and cover art by Amy Houser.
• It is available in electronic and print formats. The print version will only be available as a Kickstarter reward.
• It is also designed to pay creative people at a rate that allows them to make a living being creative. The current rate considered to be professional for genre short stories is 5 cents a word, or $200 for a 4,000-word story, which is the upper word limit for this magazine. Given the amount of time that can go into a short story, $200 isn’t very much. Fireside writers will be paid 12.5 cents a word, or $500 for a 4,000-word story.

What is this Kickstarter you speak of?

• It is a fundraising platform for creative projects.
• Project creators set a fundraising goal and a time period, then launch the Kickstarter. Backers (that’s you) pledge an amount and choose a reward that falls under that pledge amount.
• The creator only gets the money (and the backers only get charged) if the project reaches its goal by the deadline (in this case at the end of the night Friday). Otherwise no money changes hands.
• Backers can pledge as much as they want and choose any reward as long as the pledge meets that reward’s requirement. (For instance, you can pledge $10 even if all you want is the $2 reward.)

$6,500 seems like a lot of money. What is that going toward?

• 57 percent is budgeted to pay the writers, artists, and other freelancers collaborating on the magazine.
• 28 percent will cover printing and shipping costs.
• 10 percent goes to Kickstarter and Amazon for processing the payments.
• And the remaining 5 percent is to cover miscellaneous costs or to maybe even turn a little profit.

He released a mix tape. “Friend of the People” on Thanksgiving, and I have been listening to it a lot. It was obviously put together in a short period of time and then released: the Penn State creep Jerry Sandusky is mentioned, and Occupy Wall Street is in there a lot.

The Words of Others comes from the last song on the tape, which is an anthem for Occupy Wall Street. The chorus is simple but I think it sums up all the disparate messages of the Occupy movement:

This world ends, this world ends
This world ends, this world ends
Now, now, now, now, now, now, now, now

It’s a great song, and I found this video with the music nicely paired with video from Occupy. I can’t figure out if this is some sort of offical Lupe video or not, these mix tape things can be pretty ambiguous:

You can download the mix tape here.

But I am here to talk about the challenge. I’d like to hit $750 (11.5%) by tomorrow at noon, which will be the end of the first 48 hours of the Kickstarter. So if we hit that goal, since this is a project about stories, I’ll write up the story of my misadventure with a weapon in Philadelphia’s City Hall, and I’ll post it on the updates page on the Kickstarter. It’s a pretty good story. And it is true. Most of my good ones are. It’s a hazard of working in journalism. If this goes well, I have plenty of others I can use for future challenges!

If you want to pledge you can do so here.

Thanks again to our first backers, and to everyone for reading!

I am starting a fiction magazine called Fireside. It will cross genres, with an emphasis on storytelling, and I need help to get the first issue off the ground. I’m doing a fundraising campaign on Kickstarter, which collects pledges and offers rewards in return. I won’t go into detail here, as that is all available on the Kickstarter page and on the magazine’s website, firesidemag.com. I’ll be tweeting about it @FiresideMag.

Thanks, and sorry for all the neglect here. I have been chin-deep in putting this together since before Halloween.